The National Museum of Prehistory in Taitung closely follows the ESG sustainable carbon reduction trend, using an innovative renovation system to create Taiwan’s leading low-carbon exhibition space. The entire area adopts an aluminum alloy extrusion system structure, with each profile precisely designed according to the needs of the exhibition hall, integrating lighting, structure, and display functions into one. The entire process involves zero woodwork and zero paint, effectively reducing formaldehyde, VOC emissions, and construction material waste, and realizing true sustainable exhibition design.

In the absence of lighting, the fabric presents a pure white color, like a blank space in prehistoric times. Within each fabric panel, hidden light sources are configured, and through intelligent computer light control technology, colors, light fields, and brightness can be changed to present dynamic narratives according to the exhibition content. Light and shadow seem to tell the story of the birth of human civilization, the evolution of artifacts, and the changes in the natural environment, reinterpreting and reproducing prehistoric culture in an immersive way.

This is not just an exhibition space, but a story stage that uses the language of sustainable design to redraw the trajectory of human civilization.
Replacing wood with aluminum and bringing low-carbon innovation through technology, Taiwan’s exhibition halls are officially entering a new era of no woodwork, recyclability, and detachable reuse.